Song dong artist biography

After the exhibition, Song Dong removes everything and no more garden remains, just like human doing so much work to protect nature, but nothing changes. Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. Wikimedia Commons Wikidata item. Chinese contemporary artist born In this Chinese name , the family name is Song.

Song dong artist biography

Early life and career [ edit ]. Artistic themes [ edit ]. Artwork [ edit ]. References [ edit ]. London: Barbican Centre. Yerba Buena Center for the Arts. Retrieved 11 July The New York Times. Retrieved 9 July Ocula Ltd. Retrieved 10 February Inspired by childhood memories of food scarcity, Song used the cultural significance of food as a means to inspire dialogue and participation in pieces such as Edible Pen Jing Bonsai and his later Eating the City series.

In , Song created the installation Waste Not as an act of physical and psychological unpacking. Consisting of over ten thousand items accumulated by his mother over a span of five decades, Waste Not exists as a veritable landscape of commodities. Ranging from bottle caps, shoes, blankets, toothpaste tubes, metal pots, and toys the installation becomes a meditation on consumption and the archive.

Song Dong's art achieved international recognition around the world. He is exhibited internationally. I can count on myself. I can decide myself. Other people cannot decide for me. Themes of consumption, poverty, and globalization are examined and presented as a means to inspire dialogue and participation. Quotations: "After 40 years of development of Chinese contemporary art, I think that it has formed its own unique set of values, ideas, and methodologies.

China maintains a strong cultural tradition, though we are living in an era of globalization, where the world has become a small global village, so the fusion between different cultures is very extensive. I suppose that Chinese contemporary art is constantly moved forward by this development. They have a daughter Song ErRui. Back to Profile.

Photos Works. Main Photo. Song Dong. School period Add photo. He then photographed the participants, so the completed work resembled a pseudo-Song Song family portrait, peopled by strangers who 'displaced' or, more accurately, overlapped with the original occupants. The Song family was photographed in diverse urban spaces, such as handsome home or racy Beijing Street, indicating the switch from private to public space.

The involvement of strangers in Song Dong's work represents a welcome public intrusion upon privacy. Like Wang Jinsong's parents, the Song family is arranged in a strict frontal view: Song's parents are placed in the centre, his brother and sister-in-law and their daughter to their right, and the artist and his wife also a successful artist to their left.

The composition mirrors the patriarchal domination that compels prosperous Chinese families. But in Family Members strangers are welcome to replace any family members, regardless of age and sex. According to the artist's report, many men took over the father figure in the centre, and young women superseded the artist's wife to the far left.