Paola kudacki biography template

Otherwise, see the FAQ. The issue was thematically centered on women, their determination and the causes close to them. Select images from the magazine were featured at the Embassy of Argentina in London. Other sections confront more political subject matters including sex education in Poland, survivors of gun violence in America, Noor and Salwa Tagouri founders of the ISeeYou Foundation and women from the Amazon who are defending their rights and the earth.

The video is based on an interpretation of a recurring dream that's haunted lead singer Dave Grohl since he was a kid. This article "Paola Kudacki" is from Wikipedia. Recent changes. EverybodyWiki in another language. More languages. Sponsored articles Coming soon. Create account. Log in. Dark mode. Create account Log in Dark mode. View source.

View history. Jump to: navigation , search. My father was not wearing a suit so he could not enter, so he bought me a ticket and sent me in by myself. I wanted to be a ballerina. That was my first dream and still inspires me to this day. I studied ballet for many years, but when I broke my leg during a long-jump, that dream was broken by the thought of never being able to become a first ballerina.

I was always observing light and shadows. During high school, I was teaching aerobics to get some money to pay for my school and I met a woman that had an advertising agency. She asked me if I would like to attend a casting for a Diet Coke commercial. So I did and I got the job. After that first job, she introduced me to a photographer and I started to meet a few other photographers that took pictures of me for my portfolio.

I began to do some modelling jobs and that allowed me to pay for my studies. We did some pictures and then he asked me if I would help him with styling and maybe we could create some images together. This turned into a fun, creative relationship where I was doing hair, make-up and styling, and we were working on the ideas together. After about a year of this collaboration, he moved away to develop his career abroad.

It was, in a way, very disappointing because I was really enjoying working with him and making images. She introduced me to the director of the photography school, an incredible, crazy and inspiring Italian teacher named Aldo Bressi. He taught me the basics of photography: the zone system, how to develop and print my own images, and shared his admiration for the models and the photography of the nineties.

I told him that I could not wait two years to finish the course and I asked him if he could teach me one-to-one. Of course, I could not afford the private lessons, so I offered to model for the school and to talk to the students from my knowledge about graphic design and what I learned about composition etc.

Paola kudacki biography template

Fortunately for me, he agreed. I spent many hours in the darkroom trying out different techniques and working on my own prints. I learnt very fast and became infatuated with it. After two months, I said to myself, 'This is it! Now, how do I get to New York? Nothing felt impossible. After a few trips back and forth, I finally got signed to an agency.

I was doing the styling, hair and make-up, the same as I had done back home. I photographed a lot of inexperienced young models that were coming to town for the summer. That was the best school. Learning while doing it. That is how all started it. What was your first photography job or commission? It was a campaign for a clothing brand. I was the creative, the photographer, the stylist, I did hair and make-up, and I even built the set myself.

What was the shoot that changed your career? She was at the time replacing the photo editor at Interview magazine, so she asked me to stop by to show my portfolio. I was so excited about going in for an appointment with such an iconic magazine. After meeting her and showing my portfolio she said: 'I will try to suggest you for something.

Ingrid was a total icon and the editor-in-chief at Interview for many years- that was my American dream right there. Sharon introduced me very quickly. Ingrid invited me to her office, we had a chat, she looked at my portfolio and gave me my first assignment, on the spot. The shoot was a portrait of actor Peter Sarsgaard. I shot it at my place, an industrial loft that I shared with a roommate in Brooklyn.

Peter was already a big star and I was very honoured to photograph him, but I was not really thinking about the magnitude of the shoot. I shot him in a few different looks to have some options, even though I was only supposed to bring back one portrait. One of the looks was a jacket. When I started to take that portrait, I thought something was missing.

I turned around and I asked his publicist if I could use the brooch she was wearing.