Graeme isaako biography for kids

Teams are complete! Which artist is with which Coach?

Graeme isaako biography for kids

Graeme Isaako goes from onstage breakdown to an electric Blind Audition. Graeme Isaako. What they wore: Voice artists pack a punch in edgy Playoff looks See each and every performer shine in the stunning outfits they took to the stage. Exclusive: Kelly Rowland reveals how the artists coped with the huge change. Who's your current favourite?

Exclusive first look: The artists square off with a bout of banter It's all fun and games until someone goes home. Artist transformations between Blinds and Battles Singers go from super to scorching during their Voice journey. Exclusive: Stunning backstage look at The Voice artists as they prepare for The Battles What the artists were thinking before hitting the stage.

Take a look behind the scenes of The Battles. Reality TV, soapies, even a doco: The artists no strangers to the screen Look familiar? Here's why you recognise some Voice artists. An inside look at mentoring: Graeme shares his struggles with supportive Delta 'What you're going through on stage, I feel'. Sneak Peek: Who is matched with who? Get all the vital stats before the Battles begin!

Get up to speed in minutes. Graeme Isaako goes from onstage breakdown to an electric Blind Audition The artist opens up about his mental health struggle. We toured Australia and went to America twice while I studied there. I finished as one of the top three male dancers and toured throughout Australia with the show. This was followed by the role of Nanki-poo in Mikado for the Australian tour.

Then came a year performing throughout Australia in a one-man cabaret show, Shakespearean Idol —just me and the pianist. Various other gigs on TV and the stage followed. When I was 20, I decided I should go on a mission. I served in Wellington, NZ from to My post-mission life has been shaped by the structure and discipline I learned on my mission.

Everything I do is made possible by the time-management skills, the planning and goal setting I developed on my mission. The greatest thing I learned is to love and support others, to look outside myself and stop being self-centered. When you're the star, everyone is admiring and praising you. I've learned not to take it personally, to have humility.

I know what my role is in this world. After I got back I felt I should not jump back into performing immediately. I took a year off and worked with youth in the schools--stop-smoking campaigns, helping youth re-engage with school, etc. Then when I felt I was ready, I auditioned for Lion King and landed the role of understudy for Simba and toured with the show throughout Australia.

In I worked as the backup dancer for Timomatic and others. In October Aladdin opened in Sydney and then moved to Melbourne in April of , which brings us up to the present. It will play in Melbourne through the end of and then move on to Brisbane and Perth in You got married a couple of years ago. How does being married fit in with the demands of a career on the stage?

I'm so grateful for my wife Rea's support. I have to be away from home a lot, and her support is crucial—emotionally, physically and spiritually. I perform five days a week--twice a day three times a week. It's very demanding. She fixes my lunch and dinner, she listens to me when I need to talk, she lets me rest when I'm exhausted. I couldn't do it without her.

Also, there's a lot of networking, socialising after the show that is part of my profession. I rarely participate. Being married, I don't need reassurance within my industry to fit in. I love my job, but it doesn't take over my life. My real life is at home. When you have the gospel, it really does motivate and shape your destiny. When we move to a new city, the first thing we do is go to church, and we're at home.

My wife and I study the scriptures every day and text each other our thoughts and inspiration when we're finished. Prayer is another of those precious jewels. I feel connected to Heavenly Father through prayer. Even if you don't always get what you pray for, you're still in His reach. The gospel is who we are. My role as a performer is to help people heal, to escape, to find happiness, to question life, to be involved in wonderment and to dream.

I try to connect with audience members, mostly with my eyes. As I endeavor to break down walls and make that connection, I feel my spirit communicate with theirs. There is almost no greater feeling to me than this.